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~The Collection of 
MR. JOHN L. GRAVES 


of Boston, Mass. 


Part II 


Comprising 
Monochrome, Blue and White, and Decorated Chinese 
Porcelains; Satsuma and Lacquer; Jewelry in 
French, Italian and Indian Settings, a Few 
Cabinets, Arms, Miscellaneous Objects 
of Art; a Sevres Dinner Set; and 


Paintings Mainly of Modern Schools 


With a few additions from other 
collections, including 


Artistic Furniture of French and 
Enghsh Workmanship 


To be Sold at Unrestricted Public Sale on the 
Afternoons and Evenings of 
Pebruaty 27 and 28, 1913 


At 2:30 and 8:15 o’clock 


On Exhibition, from February 18th, at 
THE ANDERSON GALLERIES 


The Anderson Auction Company 
Madison Avenue at Fortieth Street 
New York 


CONDITIONS OF SALE — 


1. All bids to be PER Lot as numbered in the Catalogue. f 


2. The highest bidder to be the buyer; in all cases of disputed bids the - 
lots shall be resold, but the Auctioneer will use his judgment as to the good faith — 
of all claims, and his decision shall be final. He also reserves the right to reject 
any fractional or nominal bid which, in his judgment, may delay or injuriously 
affect the sale. . = 

3. Buyers to give their names and addresses and to make such cash pay- 
ments on account as may be required, in default of which the lots purchased 
to be immediately resold. aS. 

4. The lots to be taken away at the buyer’s expense and risk within  __ 
twenty-four hours from the conclusion of the sale, and the remainder of the __ 
purchase money to be absolutely paid on or before delivery, in default of which 


the Anderson Auction Company will not be responsible if the lot or lots be : 
lost, stolen, damaged or destroyed, but they will be left at the sole risk of the 


purchaser and subject to storage charges. . 


5. To prevent inaccuracy in delivery and inconvenience in the settlement 
of purchases, no lot will be delivered during the sale. 


6. All lots will be exposed for public exhibition in The Anderson Galleries 
before the date of sale, for examination by intending purchasers, and the Ander- 
son Auction Company will not be responsible for the correctness of the descrip- 
tion, authenticity, genuineness, or for any defect or fault in or concerning any 
lot, and makes no warranty whatever, but will sell each lot exactly as it is, 
WITHOUT RECOURSE. But upon receiving, before the date of sale, expert opinion 
in writing that any lot is not as represented, the Anderson Auction Company 
will use every effort to furnish proof to the contrary, and in default of such — 


proof the lot will be sold subject to the declaration of the aforesaid expert, he 


being liable to the owner or owners thereof for damage or injury occasioned 
by such declaration. ; : 


7. Terms Casn. Upon failure to comply with the above conditions any 
sum deposited as part payment shall be forfeited, and all such lots as remain 
uncleared after twenty-four hours from the conclusion of the sale will be resold 
by either private or public sale at such time as the Anderson Auction Company 
shall determine, without further notice, and if any deficiency arises from such 
resale, it shall be made good by the defaulter at this sale together with all the 
expenses incurred thereby. This condition shall be without prejudice to the 
right of the Anderson Auction Company to enforce the contract with the buyer 
without such resale. 


8. Bids are received personally or by mail, telephone, or telegraph. We 
make no charge for executing orders for our customers, and use all bids com- 
petitively and buy at the lowest prices permitted by other bids. 


9. The Anderson Auction Company will afford every facility for the 
employment of carriers and packers by the purchasers, but will not be 
responsible for any damage arising from the acts of such carriers and packers. 


Priced Copy of this Catalogue, $2.00. 


THE ANDERSON GALLERIES 


Anderson Auction Company 


Mapison AVENUE aT FortieTH STREET, NEw YorRK 
TELEPHONE 7990 BRYANT 


‘s 


4 a pes F 


vs Bening, _~ 28th, at 8:15 o'clock, Lots 431-511 


ARTISTS REPRESENTED 


Anderson (W. Livingston) 484, 511 


Baker. (Ernést)<.- 5.0 se 480 
Bastert (Nicolaas)........... 488 
Beard (William H.)......... 479 
Benner.(éan) oss ee 501 
Berpamini (Ps) % vse ea 452 
Bierstadt (Albert)........... 508 


Bonington (Richard Parkes).. 494 
Brouwer (Adrian) [attributed] 447 


Bunn (George).............. 466 
Caltanon joes. coe ee 460 
Chintreuil (Antoine)........ [=502 
Colman (Samuel)........... 473 
Cope (Howard) 235 css 464 
Daubiony (Voie aa eee 453 
Dughet (Gaspard) [Called 
Poussin] [attributed]...... 471 
Fromentin (M.)..2..20....2 499 
Gericault (Jean Louis)....... 506 
Giroux AS bs, eae ee 443 
Groenewegen (A. J.)......... 495 
Hamilton James): 055 - 469 
Harpignies (Henry)......... 492 
Hart (Alessandra R.)........ 465 
Hart (James Ni) oe 507 
Hovenden (Thomas)......... 456 
Howe (William H.).......... 482 
Huntington (Daniel)......... 474 


Lely (Sir Peter) [attributed].. 485 
Maes (Nicholaas) [attributed] 448 


Mann (Parker) 3a a, 458 
Mariana (Mi) eos. See: 450 
Mignard (Pierre) [attributed] 449 
Nattier) C)i Ni) ia vee 500-A 
Poole-(J,);: ete see eee 481 
Pritchetts(Re Dose eee 454 
Ranger (Henry W.)......... 500 


Rembrandt (Van Ryn) 
latteth scout pac eee 476, 498 


Reni, Guido [attributed]..... 483 
Rishalle (A.) .4..3. 22. ee 457 
scheffer (Ary). 2 Sas ee 470 
Snyders (Franz) [attributed]. 510 
Sonntag (William L.)........ 509 
Stanfield (W. Clarkson)..... 486 
Story (George H.).......... 478 


Suttermans (Justus) [attrib- 
uted]. .4.¢ eee 


sword (James B,)...23.505 461 
Teniers (David) [attrib- 
uted] (fs... 5 ee 445, 451 
Thom (J. Crawford)......... 477 
Unknown Painter.......... 444, 
459, 462, 487, 496, 503, 504 
Van Goyen:(Jan)a> eee 491 
Van Goyen (Jan) [attributed] 505 
Vernet (Horace). 33) ee 446 
Vitali (E23 ee 468 
Voigt (AL) ee 489 
Von. Seben (Hi; 3. ees 475 
Walker (Charles A.)..... .. 463 
Weiss (Joseph).......... 490, 493 
Wey! (Max)A no Goa eee 467 
Wilson (Richard)i.0. 2a 497 


Wouvermans (Philip) [after] 472 


Autotype Reproductions 


Burne-Jones (Sir E.)........ 433 
Da Vinci and others........ 431 
Millet (Jean Frangcois)...... 434 
Munilloi 3 = eee 44] 
Raphadicc. yee 435, 439, 442 
Rembrandt,; 3 eee 436 
Rousseau and Corot........ 432 
Van Dyck 350 See 437, 438 
Velasquez... 2... See 440 


The Collection of 
Mr. John L. Graves 


of Boston, Mass. 
PART II 


FIRST SESSION 
Thursday Afternoon, February 27, 1913, at 2:30 o'clock 


Old Satsuma Ware 


1 OLD SATSUMA SMALL VASE AND TEAKWOOD 
Pls STAND. 
Fine in form, with elephant-head handles, floral and 
figure decorations. (Lip repaired in Japan). 
Height, 844 inches. 


2 KIOTO BOWL AND TEAKWOOD STAND. 


With floral decorations. 
Height, 3% inches; diameter, 3% inches. 


a 


\ 3 OLD SATSUMA TEAPOT. 
A) Color of old ivory. Simple decorations in fine gold of 
| 
flowers and vines. On a stand. (Repaired.) 
Height, 444 inches; diameter, 4 inches. 


4 OLD IMPERIAL SATSUMA BOWL AND TEAK- 
WOOD STAND. 
a Delicate in coloring, with stork and Ho-Ho decoration, 
and Imperial crests and flowers. 
Depth, 334inches; diameter, 10 inches. 
11 


Me 


23 ied 


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lf- 
9 
“4 i 
10 
Pi. 


OLD SATSUMA BOWL AND TEAKWOOD STAND. 


Fine in form, with decorations in fine gold and enamels, 
partly on relief. Height, 414 inches; diameter, 334 1nches. 


OLD SATSUMA COVERED JAR AND TEAKWOOD 
STAND. 


Imperial crest on cover. Deep blue enamels on the 
border, with general floral decoration. 


Height, 1044 inches; diameter, 44% inches. 


OLD SATSUMA VASE OR JAR AND TEAKWOOD 
STAND. 
Of unusual form, with decorations in gold and colored 


enamels, showing heads of Buddhist saints. 
Height, 15% inches. 


OLD SATSUMA VASE OR JAR AND TEAKWOOD 
STAND. 


Mate to the foregoing, with heads of different saints. 


OLD SATSUMA VASE AND TEAKWOOD STAND. 
With Dog-Foo heads and ring handles. A band re- 


presenting silk brocade in different colors encircles the 
vase; butterflies done in stippled dots of gold are 
scattered over the surface. Made by Yabu-Meizam 
and signed. Height, 15% inches. 


VERY ELABORATE OLD SATSUMA VASE AND 
TEAKWOOD STAND. 
Chief decoration shows the Japanese God of War. 
Ground work of diaper pattern, in gold in different 
colors. (Damaged.) Height, 18 inches. 


12 


11 OLD SATSUMA VASE AND TEAKWOOD STAND. 


der . Of early form, with historical decorations showing 
rocks and shrubs of cream paste. Elephant-head 
handles at the neck. (Repaired.) Height, 18 inches. 


12 LARGE TEMPLE SATSUMA VASE AND TEAK- 


= WOOD STAND. 
te, Se With decoration in gold and enamel of Buddhist 
ret vg saints and symbols. Old Satsuma. Height, 26 inches. 


13 TALL OLD SATSUMA VASE. 


Of early form, with character decorations in medal- 
iz b= lions, with landscape, trees, flowers and figures. 
- oe Y | Height, 27 inches. 


14 OLD CORD AND TASSEL SATSUMA VASE AND 
TEAKWOOD STAND. 


Decoration on one side represents the Queen of Heaven 
with symbols. On the reverse is a cluster of chrysan- 


| je- themum flowers. Height, 20% inches. 


Monochrome Porcelains 
SUMMARY OF DATES 


Minc Dynasty, 1403-1629. 
Cuinc Dynasty: 


Kang Hsi Period, 1661-1722. 
Yung Ching Period, 1723-1735. 
Kien Lung Period, 1736-1795. 
Tau Kwang Period, 1796-1821. 


15 VASE OF OLD FORM AND TEAKWOOD STAND. 


i= Handles at the neck; dragon’s blood glaze: (Repaired.) 
Height, 12% inches. 


13 


/¢@ * 


16 


17 


18 


19 


20 


zi 


22 


23 


24 


VASE AND TEAKWOOD STAND. 


Elliptical in form, with delicate lemon-peel rose sur- 


face. (Cracked.) Height, 12% inches. 


VASE AND TEAKWOOD STAND. 


Of fine form and perfect pistachio green. (Lip 
repaired.) Height, 13% inches. 


BLUE JAR AND TEAKWOOD STAND. 
Of robin’s egg blue glaze. Height, 5% inches. 


VASE AND TEAKWOOD STAND. 
Of coral-pink color. Height, 6% inches. 


PEACH-BLOOM JAR WITH ORIGINAL COVER 
AND TEAKWOOD STAND. 


Of ovoid form. Monochrome of deep peach-bloom 
tone. Height, 9% inches. 


PEACH-BLOOM JAR AND TEAKWOOD STAND. 
Of same quality and tone. Height, 10 inches. 


CHINESE ROUGE JAR WITH COVER AND TEAK- 
WOOD STAND. 


Of powdered blue. Kien Lung period. Height, 2 inches. 


ROUGE BOX AND TEAKWOOD STAND. 


Emerald green in color, with fine crackle surface. 
Kien Lung period. Height, 234 inches. 


FOUR TEAKWOOD STANDS. 
Medium sizes. 


14 


L- 


25 


26 


27 


28 


29 


30 


31 


32 


33 


FIVE MINIATURE TEAKWOOD STANDS. 


OLD MISHIMA JAR WITH LACQUER COVER AND 
TEAKWOOD STAND. 


Dull gray in tone. (Repaired.) Height, 10 inches. 


BUDDHA’S HAND AND TEAKWOOD STAND. 


A Cochin China pottery representation of the fruit 
known as Buddha’s Hand, dull yellow in tone. 
Height, 7 inches. 


FIGURE OF THE DOG-FOO. 
With mottled-green glaze. Tau Kwang period. 
Length, 6 inches. 
VASE AND TEAKWOOD STAND. 
Of soft orange-yellow. Tau Kwang period. 
Height, 9 inches. 
BOTTLE-SHAPED VASE AND. CARVED TEAK- 
WOOD STAND. 


Of unusual red color, with a lizard in relief on the 
neck. Under the brilliant glaze appear gold soufflé 
flecks. Tau Kwang period. Height, 11% inches. 


ROSE DU BARRY VASE AND TEAKWOOD STAND. 


Of slender body and wide lip, in exquisite shade of rose 
color. Tau Kwang period. Height, 111% inches. 


VASE AND TEAKWOOD STAND. 


Of apple-green color, with fine crackle surface. Tau 
Kwang period. Height, 534 inches. 


KORO OF WHITE PASTE. 
Of tripod form. Ming period. Height, 414 inches. 


15 


34 


35 


36 


se 


38 


og 


41 


IRON RUST VASE AND TEAKWOOD STAND. 


Kien Lung period. : 
Height, 34% inches; diameter, 5 inches. 


CRACKLE VASE AND TEAKWOOD STAND. 


Dull drab in tone. Kien Lung period. 
Height, 6% inches. 


BOWL. 


Of solid black color, with unusual glaze and lemon- 
peel surface, on tripod feet. Kien Lung period. 
Diameter, 7 inches; height, 4% inches. 


VASE AND TEAKWOOD STAND. 


Creamy white in tone and trumpet-shaped form. 
Signed under glaze. Yung Ching period. 
Height, 10 1nches. 


BOWL AND TEAKWOOD STAND. 


Oval in form. Of creamy white paste, carved in 
designs of flowers and basket pattern. Ming period. 
Height, 7 inches. 


APPLE-GREEN JAR AND TEAKWOOD STAND. 


A perfect example of this fine solid color. Tau Kwang 
period. Height, 121% inches. 


VASE AND TEAKWOOD STAND. 


Of deep orange or tomato color. Fluted decorations 
in paste, shaped to vase form. Tau Kwang period. 
Height, 12% inches. 


VASE OF ELLIPTICAL FORM AND STAND. 


Delicate lemon-peel rose surface. —2Tau Kwang period. 
Height, 12% inches. 
16 


Ue 


Ji- 


42 


43 


45 


46 


47 


48 


JAR AND TEAKWOOD COVER AND STAND. 


Ovoid in form and creamy white in tone. The paste 
carved in design of flowers and branches, under glaze. 
Kien Lung period. Height, 11 inches. 


POTTERY VASE AND CARVED TEAKWOOD 
STAND. 


Of unusual grayish-green glaze of mottled effect. 
Yung Ching period. Height, 12% inches. 


GREEN BOTTLE-SHAPED VASE AND STAND. 


Surface carved to represent basket work under the 
glaze. Tau Kwang period. Height, 16 inches. 


BOTTLE VASE AND TEAKWOOD STAND. 


Of old soft paste of creamy white ground, with deco- 
rations carved under the glaze. Yung Ching period. 
Height, 13% inches. 


VASE AND TEAKWOOD STAND. 


Rectangular in form of deep sang-de-bceuf, with 
medallions on sides carved in paste. Tau Kwang 
period. Height, 13 inches. 


RARE CREAMY WHITE VASE. 


With incised decorations under the glaze. Head of 
Dog-Foo handles. Yung Ching period. 
Height, 13 inches. 


BOTTLE-SHAPED VASE AND CARVED STAND. 


Solid apple-green color, with thin transparent glaze, 
showing the crackle distinctly. Tau Kwang period. 
Height, 141% inches. 


17 


}&- 


IV- 


50 


51 


52 


53 


54 


55 


56 


57 


VASE AND TEAKWOOD STAND. _ ¢ 
Fine in form, quality and glaze. Light chocola: 
brown in color. Kien Lung period. Height, 13 inche 


VASE AND CARVED TEAKWOOD STAND. eS 
In solid color of dark peach-bloom glaze. Kien Lung 
period. : Height, 13% inches. 


VASE OR JAR AND TEAKWOOD STAND. Rar 


Of unusual form and deep sapphire-blue color. Kien 
Lung period. Height, 14 inches. — 


VASE AND TEAKWOOD STAND. 


Of soft paste with fine peach-bloom color. (Blemish.) — : 
Tau Kwang period. _ Herght, 173% inches. 


VASE AND TEAKWOOD STAND. Bo 
Fine crackle surface, of brilliant Japonica green 
enamel. Dog-Foo head and ring handles. Ses 

Height, 10 inches. 

VASE AND TEAKWOOD STAND. 

Of pistachio green of solid color. Height, 1134 inches. — 


PEA-GREEN BOTTLE-SHAPED VASE AND TEAK- 
WOOD STAND. 


Paste artistically carved, representing mountain views 
with forests and dwellings. Height, 12 inches. 


MOTTLED-BLUE VASE AND TEAKWOOD STAND. ~ 
Six-sided in form. Kien Lung period. | | 
Height, 8% inches. 
JAR AND CARVED ROSEWOOD STAND INLAID 
WITH SILVER WIRE. 
Iron rust glaze. Kien Lung period. Height, 13% inches. 
18 


«58 


_ 59 


61 


62 


63 


VASE AND TEAKWOOD STAND. 


Example of transmutation glaze of unusual colors. 
Prevailing tone purple. Neck restored with silver 
rim. Yung Ching period. Height, 15% inches. 


JAR WITH TEAKWOOD COVER AND STAND. 


Lang Yao sang-de-boeuf piece; on a crackle ground. 
Very VALUABLE. COLLEcToR’s PiEcE. Kang Hsi 
period. Height, 12% inches. 


MAZARINE-BLUE BOWL. 
Inside decoration of landscape in gold; detached 
blossoms in gold on the outside. Kien Lung period. 
Diameter, 11 inches. 
EUROPEAN BRONZE STAND OF FINE CASTING. 
Tripod shape, decorated in high relief. Height, 8 inches. 


PIGEON’S BLOOD VASE AND TEAKWOOD STAND. 
Bottle shape. Tau Kwang period. Height, 14 inches. 


VASE AND TEAKWOOD STAND. 


Of pearl-gray mottled surface. Kien Lung period. 
Height, 20 inches. 


VASE AND TEAKWOOD STAND. 


Of chicken’s blood red. Tau Kwang period. 
Height, 18 inches. 


VASE AND TEAKWOOD STAND. 


Perfect in form, with soft waxy surface of coral red 
color. Tau Kwang period. Height, 16% inches. 


19 


“fh 


a 
4 


66 


67 


68 


69 


70 


71 


72 


73 


VASE AND TEAKWOOD STAND. 
Red flambé glaze. Tau Kwang period. 
Height, 17 inches. 


CORAL-RED VASE ON CARVED TEAKWOOD 
STAND. 


Of solid color and brilliant glaze. Neck slightly 
chipped. Tau Kwang period. Height, 19 inches. 


VASE AND TEAKWOOD STAND. 


Sang-de-bceuf color. Tau Kwang period. 
Height, 18 inches. 


BOTTLE-SHAPED VASE AND TEAKWOOD STAND. 
Of crab green, with lizard handles. —Tau Kwang period. 
Height, 21 inches. 


DOUBLE BOTTLE OR VASE AND TEAKWOOD 
STAND. 


Of solid ripe olive color. (Repaired.) Tau. Kwang 
period. Height, 18 inches. 


VASE AND TEAKWOOD STAND. 


Of deep sang-de-bceuf color. Tau Kwang period. 
Height, 20% inches. 


CELADON VASE. 


Rectangular in form, with carved under-glaze medal- 
lions on the sides. Incised marks under glaze. Tau 
Kwang period. Height, 14 inches. 


CELADON VASE. 
Mate to the preceding. 
20 


Jo- 


74 


75 


76 


eh 


78 


79 


80 


81 


VASE AND TEAKWOOD STAND. 


Sang-de-bceuf color, of fine quality and tone. Tau 
Kwang period. Height, 17% inches. 


VASE AND TEAKWOOD STAND. 


Sang-de-beeuf color. (Lip repaired very slightly.) 
Kien Lung period. Height, 20 inches. 


VASE AND CARVED TEAKWOOD STAND. 


Of pearl-gray glaze or ‘‘clair de Lune.” Kien Lung 
period. Height, 15 inches. 


LARGE IMPERIAL OCTAGONAL JAR. 


Dark brown in color with lemon-peel surface, finely 
stippled. Deer heads and antlers as handles. Tau 
Kwang period. Height, 19 inches. 


VASE AND TEAKWOOD STAND. 


Perfect in form, of chicken’s blood red, covered with 
the drab spots peculiar to that glaze. Tau Kwang 
period. Height, 18% inches. 


VASE AND TEAKWOOD STAND. 
Of powdered blue. Tau Kwang period. 
Height, 19 inches. 
VASE AND TEAKWOOD STAND. 


With orange-peel surface of deep orange color. Tau 
Kwang period. Height, 20 inches. 


JAR-SHAPED VASE AND TEAKWOOD STAND. 


Pink with lemon-peel surface, finely stippled. Interior 
and base lined with turquoise-blue enamel. Tau 
Kwang period. Height, 14 inches. 


21 


70 = 


own 
f. 


82 VASE AND TEAKWOOD STAND. ~ 


Mirror black with glaze of unusual brilliancy. inne ; 
in relief at neck. Tau Kwang period. Height, 24 re 


83 MIRROR BLACK VASE AND TEAKWOOD STAND. = 


Mate to the foregoing and similar in color. 


84 COCHIN CHINA VASE OF FLAMBE GLAZE. 


Showing different combination of colors, mainly red; = 
handles at neck. Herght, 26 inches. 


a 


85 VASE IN FLAMBE GLAZE AND CARVED TEAK-— = 


WOOD STAND. 


In different shades of the transmutation ae 
prevailing tone blue. Handles at neck. 


Height, 26 inches. ae 


Chinese Blue and White Porcelain © 


86 JAR WITH ORIGINAL COVER AND TEAKWOOD — 
STAND. 


Decorations of arabesque designs on white ground. 
Height, 944 inches. 


87 JAR WITH ORIGINAL COVER AND TEAKWOOD 
STAND. 


Mate to the foregoing, and similar in all respects. 


88 GINGER JAR WITH TEAKWOOD COVER AND 


STAND. 7 
Decorations of white hawthorn flowers and branches 


on a dark-blue ground. Height, 11 inches. 
22 ; 


}3- 


89 


91 


92 


93 


94 


95 


96 


FOUR TEAKWOOD STANDS. 


Medium sizes. 


FIVE MINIATURE TEAKWOOD STANDS. 


~ 


LOTUS FLOWER AND CUP WITH STAND. 
Blue and white. Kien Lung period. 
Height, 3% inches; diameter, 5 inches. 


LOW BLUE AND WHITE JAR AND TEAKWOOD 


STAND. 
No cover. With imperial dragon and other decora- 
‘tions. Height, 5 inches. 


SMALL BLUE AND WHITE GRAIN OF RICE CUP. 


On a stand. 


SMALL GRAIN OF RICE JAR AND TEAKWOOD 
STAND. 


Blue and chocolate decorations on white ground. 
Height, 334 inches. 


SMALL BLUE AND WHITE CUP AND TEAKWOOD 
STAND. 
Decorated in blue, white and chocolate colors. 


Imperial marks in colors with five-clawed dragon. 
Height, 234 inches. 


JAR WITH TEAKWOOD COVER AND STAND. 


Very fine, with decorations in two shades of blue, of 
flowers and leaves on a white ground. Kien Lung 
period. Height, 12 inches. 


23 


97 
Ly — 
98 
Es: 
Ree 89 
‘a 
100 
rv 
101 
102 
103 
et “ss 


CLUB-SHAPED VASE AND TEAKWOOD STAND. 


Egeg-shell porcelain with figure decoration in deep 
blue on milk-white ground. Height, 16% inches. 


BLUE AND WHITE JAR AND TEAKWOOD 
COVER AND STAND. 
With decorations in white, of symbols, flowers and 
foliage on a blue ground. (Small hole repaired with 
gold.) Kien Lung period. - Height, 12 inches. 


VASE AND TEAKWOOD STAND. 
With decorations of white hawthorn flowers and 
branches on a dark-blue ground. Height, 14 inches. 


BLUE AND WHITE JAR WITH TEAKWOOD 
COVER AND STAND. 
Decorations in two shades of blue in Chinese 
symbols. (Rim replaced with metal.) Kien Lung 
period. Height (with stand), 12 inches. 


JAR WITH ORIGINAL COVER AND TEAKWOOD 
STAND. 
White hawthorn flowers and branches on Cobalt 
blue ground. Height, 16 inches. 


BLUE AND WHITE JAR WITH ORIGINAL COVER 
AND ORNAMENTAL TEAKWOOD STAND. 


With straight sides. (Cover cracked and mended in 
China.) Kien Lung period. Height, 12 inches. 


VASE AND CARVED TEAKWOOD STAND. 
With decorations in blue and white, showing medal- 
lions and various figures on a buff ground. 
Height, 19 inches. 


DA ae. 


J3- 


lv- 


104 


105 


106 


107 


108 


109 


BLUE AND WHITE VASE AND CARVED TEAK- 
WOOD STAND. 


The surface carved into medallions of varying sizes, 
on which are decorations of different symbols and 
figures of children. Height, 19 inches. 


LARGE BOTTLE-SHAPED VASE ON A TEAKWOOD 
STAND. 


Of soft paste, with decorations of five famous Chinese 
scholars, in blue on milk-white ground. 
Height, 20 inches. 


PAIR OF VASES AND TEAKWOOD STANDS. 


Decoration in conventional figures in blue on white 
ground. Height, 19 inches. 


VASE AND TEAKWOOD STAND. 


Decoration in blue and peach-bloom on a bluish- 
white ground, representing the ‘Eight Immortals”’ 
crossing the sea. Kien Lung period. Height, 16 inches. 


SOFT-PASTE VASE AND TEAKWOOD STAND. 


With decoration of five-clawed dragon in blue on 
milk-white ground. Height, 17% inches. 


BLUE AND WHITE VASE AND TEAKWOOD 
STAND. 


Of fine form, with decorations of dragon, clouds and 
symbols on white ground. Height, 15 inches. 


25 


A 


‘Aca 


am, 
% 


110 


111 


112 


114 


115 


116 


DOUBLE VASE (TWO PARTS) ANE TEAK- 
WOOD STAND. 


Old form, with panel decorations of blue. (The 
upper part damaged and repaired.) Height, 20 inches. 


LARGE JAR WITH ORIGINAL COVER AND TEAK- | 
WOOD STAND. 


Decorations of hawthorn flowers and medallions in 
blue on white ground. Height, 18 inches. 


LARGE VASE AND TEAKWOOD STAND. 


Of old form, with surface finely crackled. Decora- 
tions in two shades of blue, showing fruits and 
flowers, with medallions of landscapes and figures. 

Height, 23 inches. 


BLUE AND WHITE VASE AND TEAKWOOD 
STAND. 


Of pure white, with hexagonal lip; soft paste with 
decoration of acanthus leaf. Height, 20-inches. 


SOFT-PASTE VASE AND TEAKWOOD STAND. 


Mate to the foregoing, and similar. 


SOFT-PASTE VASE AND TEAKWOOD STAND. 


Of ovoid form, with decorations of Dog-Foo in blue 
on milk-white ground. Height, 15% inches. 


BLUE AND WHITE JAR WITH TEAKWOOD COVER 
AND STAND. 
With silver rim on lip, showing it to have been cut 
down. Decorations of landscape in two shades of 
blue. Kang Hsi period. Height, 14 inches. 


26 


= 


/ 


&- 


117 


118 


119 


120 


121 


122 


123 


BLUE AND WHITE CIRCULAR PLAQUE. 


Decorated with landscape and symbols. Kien Lung 
period. Diameter, 15 inches. 


PAIR OF BLUE AND WHITE HEXAGONAL VASES. 


Flaring necks; decorated with the Peaches of 
Longevity in a panel; bands of key pattern at neck 
and shoulder. Kien Lung period. Height, 17 inches. 


VASE OF SOFT PASTE AND TEAKWOOD STAND. 


Decoration of Imperial Dragon in blue on milk- 
white ground. Height, 16% inches. 


VASE.OF,SOFT PASTE:AND TEAKWOOD STAND. 


Mate of the foregoing, and similar. 


VASE OR JAR WITH TEAKWOOD STAND. 
Unusual form, with decorations of pomegranates and 
foliage in blue, on grayish-white ground. Kien 
Lung period. Height, 16 inches. 


BLUE AND WHITE GALLIPOT AND TEAKWOOD 
STAND. 
Of unusual form, with decorations in delicate blue 


of horses, clouds and symbols. Kien Lung period. 
Hetght, 8 inches. 


JAR WITH TEAKWOOD COVER AND STAND. 
Lion-head flat ring handles. Ground of old ivory of 
fine crackle surface. Decorations in blue and white 
of the eight famous horses of the ancient Emperor 
Mu-Wang. Kien Lung period. Height, 12 inches. 


27 


124 


125 


126 


127 


128 


129 


BLUE AND WHITE JAR WITH TEAKWOOD 
COVER AND STAND. 


Persian designs on dull white ground. Kang Hsi 
period. Height, 11 inches. 


BLUE AND WHITE BOTTLE-SHAPED VASE AND 
STAND. 


Decoration of bamboo stalk and leaf with feather 
border. Kien Lung period. Height, 1414 inches. 


BLUE AND WHITE JAR AND CARVED STAND. 


Delicate decorations of vines, flowers and conven- 
tional forms on a white ground. Kien Lung period. 
Height, 15 inches. 


BLUE AND WHITE VASE AND TEAKWOOD 
STAND. 


Of soft paste, with square lines; decorations of 
unusual character on a dull drab ground, finely 
crackled under glaze. Tau Kwang period. 

Height, 16 inches. 


VASE AND TEAKWOOD STAND. 


On the plain surface, between the top and the bottom 
blue decoration, are seen ripe peaches with branches 
and leaves. Kien Lung period. Height, 16 inches. 


LARGE BLUE AND WHITE MAJOLICA JAR AND 
ORIGINAL COVER. 
The brown figures on the sides were formed by 
working the clay from the inside before baking. 
Marks on the bottom show it was made in Florence 
about 1580. Height, 19 inches. 


28 


130 


131 


E32 


133 


134 


135 


Artistic Furniture 


TWO ENGLISH STAINED-GLASS WINDOW 
HANGINGS. 

Subjects, ‘Christabel” and “Theckla’s Song.’ Cir- 

cular. Diameter, 10 inches. 


TWO MORE. 


Subjects, Flowers and Fruits. Circular. 
Diameter, 10 and 12 inches. 


PALM JAR. 


With deep sang-de-beeuf glaze. 
Height, 8 inches; diameter, 9% inches. 


LOUIS XVI. BRONZE CLOCK. 


On an oblong marble base with paw feet rests a 
chariot drawn by a team of goats driven by Cupid, 
a second Cupid pushing at the back. On the center 
of the chariot rests the barrell-shaped clock sur- 
mounted by a Cupid holding a garlanded staff. 
French workmanship. 

Length, 22 inches; height, 18 inches. 


LOUIS XVI. BLUE AND WHITE PORCELAIN 
LAMP. 
With bronze base and mountings shaped as Amorini 
upholding garlands; wired for electricity, having 
three lights. French workmanship. 


LOUIS XVI. ELECTRIC WALL BRACKETS. 


Solid bronze, richly chased, having three lights rising 
from a quiver decorated with ribbons. French 
workmanship. 


29 


Ife 


Jo: 


Jo- 


136 


137 


138 


139 


140 


141 


142 


143 


MA Ende Seige Set ys Ger eke Ss 


LOUIS XVI. ENAMELED SIDE CHAIR. 


Uprights and back bars carved; upholstered seat 
covered with blue silk brocade. French workmanship. 


COLONY CLUB SLIPPER CHAIR. 


With down cushion; seat and back covered with 
hand-blocked cretonne in flower and _ landscape 
pattern. 


COLONIAL ARM CHAIR. 


Covered throughout with red English morocco. 


ARM CHAIR. 


With rounded top and curved arms, upholstered 
throughout in light golden-brown cut velvet, having 
loose seat cushion; legs carved with volute feet 
joined by double scroll brace, gilded. 


GREENWICH ARM CHAIR. 


Upholstered all over in cretonne. 


DUTCH MIRROR. 
In ebony frame. Height, 18 inches; width, 15 inches. 


TWO PAIRS OF CURTAINS AND PORTIERE. 
Of pink silk brocatelle, lined with lemon silk. 
Length, 10 feet. 


ANOTHER PAIR. 


Of buff and brown waste silk tapestry, trimmed 
with edging, lined with lemon silk. Length, 6 feet. 


30 


Of cream satin, eenhodced | in an intricate pattern 
of leaves and flowers in gold, trimmed with fringe 


and lined with silk. Length, 8% feet. 


(145 ITALIAN RENAISSANCE MIRROR. 

_----—-—s-'‘The frame elaborately carved and finished in blue 
ee oe gold. French workmanship. | 

| aE Height, 36 inches; width, 28 inches. 


e M6 JE RENCH CONSOL TABLE, LOUIS XV. STYLE. 


Uo oa _ Elaborately carved and gilded, with Italian ADE 
top. 


147, LOUIS. xv I. OVER-MANTEL DECORATION. 


: With 1 mirror framed in white and gold, with a figure 
painting set in the upper panel. French workmanship. 


M48 ‘F OUR-POST MAHOGANY COLONIAL BEDSTEAD. 


The posts fluted and carved; the head with cane 
panel, having a broken arch top with carved urn 
finial. Tester and complete drapery of English 
chintz. | 


149 LOUIS XVI. ENAMELED BEDSTEAD. 


The head and foot boards carved with garlands of 
flowers and finished with cane panels. French 
workmanship. 


3l 


f 
% 


% 


Ae 


SECOND SESSION 


Thursday Evening, February 27, 1913, at 8:15 o'clock 


150 


151 


152 


153 


154 


155 


Chinese Decorated Porcelains 


PLAQUE ON AN EASEL. 
With two five-clawed Imperial dragons on black 
ground, with symbolic decorations. 
Diameter, 134% inches. 
PLAQUE ON AN EASEL. 


Mate to the foregoing, similar in decoration. 


JAR WITH ORIGINAL COVER AND TEAKWOOD 
STAND. 


Imperial yellow ground, with decorations in har- 
monious tints, showing four-clawed dragon. 
Height, 7% inches. 
VASE AND CARVED TEAKWOOD STAND. 


Trumpet shape; a coiled lizard in relief, and hawthorn 
decorations on light-green ground. Tau Kwang 
period. Height, 12 inches. 


TRUMPET-SHAPED VASE AND STAND. 
Mate to the foregoing. 


ROUND JAR AND TEAKWOOD STAND. 


Soft paste with open wire cover. Decorations in 
terra-cotta red on a white ground. Head of Dog-Foo 
handle. Height, 14 inches; diameter, 7% inches. 


32 


b- 


hk 


156 JAR WITH ORIGINAL COVER AND TEAKWOOD 
STAND. | 


Red and blue decorations on grayish-blue ground, 
with medallions of baskets and flowers in blue. 
Other decorations in dull red of Greek fret in diagonal 
lines. Height, 111% inches. 


157 JAR WITH CARVED TEAKWOOD COVER AND 
ORNAMENTAL STAND. 


Decorations of flowers, fruits, insects and birds in 
artistic colors on soft white ground. Tau Kwang 
period. Height, 10 inches. 


158 JAR WITH ORIGINAL COVER AND TEAKWOOD 
STAND. 
Ovoid form, with decorations of symbols, dragons 


and arabesque designs in soft tones on white ground. 
Height, 9% inches. 


159 JAR WITH ORIGINAL COVER AND TEAKWOOD 
STAND. 

Delicate pink ground, with decorations of symbols 

and arabesque designs. Lattice borders of green 

and yellow. Height, 91% inches. 


2 


160 JAR WITH ORIGINAL COVER AND TEAKWOOD 


STAND. 
Decorations of flowers, branches and foliage on a 
delicate blue ground. Height, 11 inches. 


161 GRAIN OF RICE BOWL AND TEAKWOOD STAND. 


Decorated in soft red and pale blue with the Phoenix 
in the bottom. Tau Kwang period. 
Height, 4 inches; diameter, 5 inches. 


33 


"Stes 


162 


163 


164 


165 


166 


167 


168 


169 


JAR WITH TEAKWOOD COVER AND STAND. 


Ovoid form. Lotus, pink hawthorn and chrysan- 
themum decorations in colors on white ground. Tau 
Kwang period. Height, 9% inches. 


BOTTLE-SHAPED VASE. 


Decoration of red hawthorn flowers and green block- 
ing on white ground. Tau Kwang period. 
Height, 5 inches. 
BOTTLE-SHAPED VASE AND CARVED TEAK- 
WOOD STAND. 


Similar in decoration to the foregoing. Tau Kwang 
period. Height, 7 inches. 


FOUR TEAKWOOD STANDS. 


Various sizes. 
FIVE MINIATURE TEAKWOOD STANDS. 


ROSE-BACK EGG-SHELL PLAQUE AND EASEL. 
Kien Lung period. (Repaired.) Diameter, 8 inches. 


IMPERIAL JAR WITH ORIGINAL COVER AND 
TEAKWOOD STAND. . 

Decorations of five-clawed dragon, symbols and 

arabesque designs on white ground. Hetght, 11 inches. 


POTTERY VASE AND TEAKWOOD STAND. 


Ground of grayish white, sprinkled with black 
specks, with decoration of figures, trees and other 
ornamentation in dull reds and greens. The four 
rounded corners form the feet. —Tau Kwang period. 
Height, 12% inches. 

34 


ha- 


170 


171 


172 


173 


174 


175 


VASE AND TEAKWOOD STAND. 


Famille de Rose, with decoration of butterflies, birds, 
and flowers, on a soft white ground. Tau Kwang 
period. Height, 934 inches. 


GLOBULAR VASE AND CARVED TEAKWOOD 
STAND. 


Elaborate decorations in shades of green and red, 
with the Imperial Dragon on a salmon-pink ground. 
Tau Kwang period. Height, 113% inches. 


SOFT-PASTE MEDALLION PLAQUE AND EASEL 
STAND. 


Tau Kwang period. Diameter, 9% inches. 


JAR WITH ORIGINAL COVER, METAL COLLAR 
AND TEAKWOOD STAND. 


Ground of raven’s wing black, on which in apple 

green are decorations of dragons, the Ho-Ho bird with 

rose leaves and branches. Tau Kwang period. 
Height, 13% inches. 


GLOBULAR VASE AND CARVED TEAKWOOD 
STAND. 

Decorations in soft colors of insects, flowers, storks 

and conventional forms in diamond-shaped panels, 


on a light-green ground. Tau Kwang period. 
Height, 111% inches. 


OVAL JAR AND TEAKWOOD STAND. 


Chicken’s blood red with stippled surface. Symbol 
and floral decoration on front. Tau Kwang period. 
Height, 12 inches. 


35 


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“ 


176 


177 


178 


179 


180 


181 


182 


183 


RECTANGULAR VASE AND TEAKWOOD STAND. 


Panel decorations of birds, vases, flowers and stands 
in soft colors; handles shaped as peaches. 
Height, 14 inches. 
VASE AND TEAKWOOD STAND. 


Famille de Rose, with decorations of birds and 
flowers on a pure white ground. Height, 12 inches. 


GINGER JAR AND ORIGINAL TEAKWOOD 
STAND. 


Black ground of soft waxy quality, with rich floral 
decorations in natural colors. Height, 11 inches. 


BEAKER VASE AND TEAKWOOD STAND. 


With floral and rock decoration, in rich coloring on 
white ground. French copy of Ming. 
Height, 18 inches. 


BEAKER VASE AND TEAKWOOD STAND. 
Mate to the foregoing, and similar in color and 
decoration. 


PLAQUE AND EASEL STAND. 


Decorations in blue and soft colors of vines and 
flowers on a white ground. Kien Lung period. 
Diameter, 10 inches. 


PLAQUE AND TEAKWOOD EASEL. 


Mate to the above, and similar in design. 


CYLINDRICAL VASE AND ORNAMENTAL TEAK- 
WOOD STAND. 
Of spill form, with decorations in soft tones, repre- 
senting a Mandarin on horseback with attendants 
hunting in a mountain forest. Surface carefully 
stippled. Kien Lung period. Height, 17 inches. 


36 


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184 


185 


186 


187 


188 


189 


190 


VASE AND TEAKWOOD STAND. 


The surface of soft, waxy black, with decorations in 
white of figures and landscapes. Height, 14 inches. 


VASE AND TEAKWOOD STAND. 


Mate to the foregoing, and similar in form and 
decoration. (Repaired.) Tau Kwang period. 
: Height, 14 inches. 


OVOID JAR, WITH ORIGINAL COVER. 
Of old form, decorated in soft tints on a white 
ground, with designs of objects of art and domestic 
use. Tau Kwang period. Height, 14\% inches. 


BOTTLE-SHAPED VASE AND TEAKWOOD STAND. 
In flambé or ‘‘yaopien” glaze. The coloring is 
remarkably brilliant, showing the transmuted glaze 
in various shades of red and purple. (Slight repair.) 
Tau Kwang period. Height, 15 inches. 


LARGE BOTTLE-SHAPED VASE AND TEAKWOOD 
STAND. 
Deep dragon’s blood color, showing grayish under- 
surface. Branch and fruit in bold relief on the front. 
Tau Kwang period. Height, 19 inches. 


OCTAGONAL VASE AND TEAKWOOD STAND. 


Of odd form, with panels decorated with branches 

and flowers of hawthorn on deep _ sapphire-blue 

ground; coral-red handles. Tau Kwang period. 
Height, 16 inches. 


OCTAGONAL VASE AND TEAKWOOD STAND. 
Mate to the foregoing, and similar in form and 
decoration. 

37 


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191 


ZZ 


193 


194 


195 


196 


ENAMELED PLAQUE AND TEAKWOOD EASEL. 
Decorations of birds, flowers and butterflies enameled 
in natural colors, on soft white ground, on copper. 
Kang Hsi period. Diameter, 7 inches. 


VASE AND TEAKWOOD STAND. 
Cochin China ware. Old form with handles, green 
and red splash on dull yellowish ground. 
Height, 12% inches. 


BOTTLE-SHAPED VASE AND TEAKWOOD STAND. 
Cochin China ware. Flambé glaze of green and blue 

on dull grayish ground. Date about 1800. 
Height, 12 inches. 


JAR WITH TEAKWOOD COVER AND STAND. 
Unusual in form, with border of rich blues and 
yellows at top and base. The ground is of creamy 
white, overlaid with decorations of symbols and 
arabesque designs in dull orange. Tau Kwang 
period. Height, 11% inches. 


JAR WITH TEAKWOOD COVER AND STAND. 
Of archaic form. Dull white ground, with decora- 
tions of Dog-Foo, clouds and symbols in reds, greens 
and yellows. Kien Lung period. Height, 11 inches. 


VASE AND CARVED TEAKWOOD STAND. 


Of peculiar form, with so-called iron handles, with 
most unusual decorations in soft colors on a pow- 
dered blue ground. Kien Lung period. 
Height, 151% inches. 
38 


2 


197 


198 


199 


200 


201 


202 


ROUND JAR WITH ORIGINAL COVER AND 
TEAKWOOD STAND. 


Imperial yellow ground, with decorations in soft 
colors showing symbols, sacred bats, fruits and 
flowers. The symbol of Longevity is on the cover. 
(Chipped.) Tau Kwang period. Height, 11 inches. 


GINGER JAR WITH TEAKWOOD COVER AND 
STAND. : 
Decorations of flowers, insects, birds and vegetables, 


on a robin’s egg blue: ground. Kien Lung period. 
Height, 12% inches. 


LARGE JAR WITH TEAKWOOD COVER AND 
STAND. 


Surface of soft waxy black, with hawthorn trees and 
flowers in white. Tau Kwang period. 
Height, 26 inches. 


VASE AND TEAKWOOD STAND. 


The surface is a soft waxy black, with white haw- 
thorn flowers and branches. Made by Seifu. 
Height, 18 inches. 


FAMILLE DE ROSE VASE AND STAND. 


With delicate decorations in soft colors. (Neck cut.) 
Yung Ching period. Height, 13% inches. 


CLUB-SHAPED VASE AND STAND. 


Deep sapphire-blue ground, with four-claw dragon 
and symbols in gold. Tau Kwang period. 
Height, 15% inches. 


39 


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Egg-Shell Porcelain Lanterns 


These were formerly in the summer palace in Pekin, from which 
they were taken at the time of the Opium War in 1854. 


203 EGG-SHELL LANTERN WITH WIRE COVER AND 
TEAKWOOD STAND. 

Having medallion borders with decorations in light 

and dark green flowers, leaves and insects on a 

white ground. Metal base. (Repaired.) Tau 

Kwang period. Height, 12 inches; diameter, 8 inches. 


204 EGG-SHELL LANTERN WITH COVER ‘AND 
STAND. 


Mate to the foregoing, and similar in decorations. 


Metal base. 


205 EGG-SHELL LANTERN AND TEAKWOOD STAND. 


Red and gold decoration, with Imperial dragon on 
white paste with gilt wire top. Tau Kwang period. 
Height, 11 inches. 


206 EGG-SHELL LANTERN AND TEAKWOOD STAND. 


Mate to the foregoing, with similar decoration. 


207 EGG-SHELL LANTERN WITH WIRE COVER AND 
TEAKWOOD STAND. 

Of Imperial yellow ground, with decorations in soft 

pink, white and green around medallions holding the 

Imperial dragon. Metal base. Tau Kwang period. 

Height, 11% inches; diameter, 8 inches. 


40 


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Ge 


208 


209 


210 


211 


212 


213 


EGG-SHELL LANTERN WITH WIRE COVER AND 
TEAKWOOD STAND. 

Elaborate borders and floral decorations in medallions 

in dull reds and green. Metal base. Tau Kwang 

period. Height, 12 tnches; diameter, 6% inches. 


EGG-SHELL LANTERN WITH WIRE COVER AND 
TEAKWOOD STAND. 
Decorations of birds and flowers in rectangular medal- 
lions on soft white ground. Metal base. Tau Kwang 
period. Height, 114% inches; diameter, 7 inches. 


CLUB-SHAPED VASE AND TEAKWOOD STAND. 


A large piece decorated in seven colors. 
Height, 22 inches. 


VASE AND TEAKWOOD STAND. 


The white paste carved under the glaze, with deco- 
rations of Imperial Five-clawed Dragon in green and 


red. Height, 20% inches. 


IMPERIAL YELLOW BOTTLE-SHAPED VASE 
AND TEAKWOOD STAND. 
Fine crackle surface, with decoration of the Imperial 


Five-clawed Dragon in blue on a yellow ground. 
Tau Kwang period. Height, 16% inches. 


BOTTLE-SHAPED VASE AND TEAKWOOD STAND. 


Decorations of flowers and arabesque patterns on 
bluish-white ground. Tau Kwang period. 
Height, 1634 inches. 
41 


Ne 


ly- 


214 


215 


216 


217 


218 


219 


JAR WITH ORIGINAL COVER AND TEAKWOOD 
STAND. 


Of the Paeonia family. Kien Lung period. 
Height, 15 inches. 


JAR WITH ORIGINAL COVER AND TEAKWOOD 
STAND. 


Decorations in medallions of different forms on a 
delicate rose-pink ground. French copy of Yung 
Ching. Height, 181% inches. 


JAR WITH ORIGINAL COVER AND TEAKWOOD 
STAND. 


Mate to the foregoing in color and decoration. 
(Repaired at lip.) 


JAR WITH ORIGINAL COVER AND TEAKWOOD 
STAND. 
Famille Verte, with medallion decorations of flowers, 


in natural colors on grayish-white ground. 
Height, 16% inches. 


JAR WITH ORIGINAL COVER AND TEAKWOOD 
STAND. 

Ovoid form; black ground, covered with hawthorn 

flowers and birds. Height, 15 inches. 


CLOISONNE AND BRONZE VASE AND TEAK- 
WOOD STAND. 
Minutely carved and inlaid with enamel of different 
colors, fine form and soft tone. With handles. 
Japanese copy. Height, 16 inches. 


42 


vi- 


vee 


Ji- 


220 


221 


222 


225 


224 


225 


226 


227 


BLACK JAR WITH CARVED TEAKWOOD COVER. 


Decorations in green, white and reds, with four- 
clawed dragon. Height, 19 inches. 


LARGE VASE AND TEAKWOOD STAND. 
Paste carved and covered with enamels of different 
colors, representing sea-waves in which the horses 
of the ancient Emperor Mu-Wang are sporting. 
Each horse is represented in different colored enamel. 
Height, 22 inches. 
LARGE VASE AND CARVED STAND. 


Mate to the foregoing, similar in form and treatment. 


BOTTLE-SHAPED VASE AND TEAKWOOD STAND. 


Decorations of peaches, branches and flowers on 
pure white ground. Height, 22 inches. 


CLUB-SHAPED VASE AND TEAKWOOD STAND. 
Elaborate decorations in seven colors. 
Height, 19 inches. 
VASE AND TEAKWOOD STAND. 


The surface is black, with hawthorn trees and flowers 
in white. Height, 20 inches. 


VASE AND TEAKWOOD STAND. 


Mate to the foregoing, and similar in color and 
decoration. Height, 20 inches. 


JAR WITH ORIGINAL COVER AND CARVED 
TEAKWOOD STAND. 
Beautiful rose-pink ground, with floral and figure 


decorations on fan-shaped medallions. French copy 
of Yung Ching period. Height, 1914 inches. 


43 


fen 
gi, 
¥ 


228 


229 


230 


231 


Hews 


233 


234 


VASE AND TEAKWOOD STAND. 
Elaborate decorations to represent the old Cloisonné 
work. ‘The tone and coloring corresponds to the 
same. Tau Kwang period. Height, 19 inches. 


BOTTLE-SHAPED VASE AND TEAKWOOD STAND. 


Decorated with five-clawed dragon in soft colors 
on Imperial yellow ground. ‘Tau Kwang period. 
Height, 18 inches. 


SQUARE VASE AND TEAKWOOD STAND. 
Square sides with rounded white edges; the surface 
a deep black; the four-season decorations show 
hawthorn flowers in black and white, and other 
flowers in natural colors. Tau Kwang period. 


Height, 22 inches. 
SQUARE VASE AND TEAKWOOD STAND. 


Mate to the foregoing, similar in form and decoration. 
Tau Kwang period. Height, 22 inches. 


JAR WITH CARVED TEAKWOOD COVER AND 
STAND. | 
Decorated in dull reds and greens, representing the 
Imperial Dragon sporting in the waves. Tau Kwang 
period. Height, 21 inches. 


RED HAWTHORN VASE AND TEAKWOOD STAND. 


The hawthorn tree and flowers in light tones on a 


coral-red ground. Tau Kwang period. 
Height, 24 inches. 


LARGE VASE AND TEAKWOOD STAND. 
The ground is of dull orange color; the decorations 
in delicate coloring of the evergreen vine, with herd 
of spotted deer feeding. (Fire cracks at neck.) 
Tau Kwang period. Height, 27 inches. 


44 


}}- 


235 


236 


237 


238 


239 


240 


241 


242 


CLUB-SHAPED VASE. 


Decorated in the five-color scheme, with medallions 
of character scenes. Height, 21 inches. 


CLUB-SHAPED VASE. 


Mate to the foregoing, and similar in tone and color. 


VASE AND CARVED TEAKWOOD STAND. 


With decorations of blues, pinks and greens, on a 
soft white ground. Tau Kwang period. 
Height, 19% inches. 


COCHIN CHINA VASE AND TEAKWOOD STAND. 


Red pottery base, with heavy enamel of dark greens, 
the surface representing the rind of a watermelon. 
Height, 19 inches. 
VASE. 
Decorations of flowers and birds in greens and reds, 
on a soft white ground. Tau Kwang period. 
Height, 19% inches. 
RECTANGULAR-SHAPED VASE. 


Powdered blue ground, on which, in medallions of 
white, are decorations of flowers, birds and land- 
scapes in harmonious colors. Relief handles. Kien 
Lung period. Height, 19 inches. 


VASE AND TEAKWOOD STAND. 
With decorations on a soft white ground, uniting the 
two families Famille Vert and Famille de Rose. 
Tau Kwang period. Height, 20 inches. 


VASE AND TEAKWOOD STAND. 
Decorations in apple green of conventional figures, 
on a soft coral-red ground, with characters indicating 
Long Life and Prosperity. Tau Kwang period. 
Height, 20 inches. 
45 


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243 LARGE, BOTTLE-SHAPED VASE AND TEAKWOOD 
STAND. 


Brilliant, iridescent, black glaze, with enamel deco- 

rations in harmonious colors. Kien Lung period. 

Height, 28% inches; diameter, 16 tnches. 

244 LARGE IMPERIAL BOTTLE-SHAPED VASE AND 
TEAKWOOD STAND. 


With decorations, on a dull yellow ground, of symbols 

and the Imperial Five-clawed Dragon in iridescent 

glaze of greens and purples. Tau Kwang period. 
Height, 27 inches. 


245 LARGE VASE AND TEAKWOOD STAND. 


With surface of black, covered with hawthorn 
flowers in white and other flowers in shades of red. 
Height, 33 inches. 


ty 


French and English Furniture and Miscellaneous 


Objects of Art 


246 TWO PICTURE TILES. 


Subjects, “Fame” and “Death.” In ebony frames. 
Height, 16 inches; width, 9 inches. 


247 TWO MORE. 
Subjects, “Pomona” and “‘Flora.” In ebony frames. 
Height, 171% inches; width, 7% inches. 
248 TWO PAINTED PLAQUES. | 


Subjects, ‘‘Chrysanthemums” and “Cherry Blos- 
soms.” Diameter, 151% inches. 


249 TWO MORE. 


Subjects, ‘““Ruth” and “Mask and Dolphin.” 
Diameter, 15% inches. 
46 


pe 


250 


251 


252 


253 


254 


250 


256 


257 


DUTCH MIRROR. 
In ebony frame. Height, 18 inches; width, 15 inches. 


TWO ENGLISH PICTURE TILES. 
Subjects, ‘‘Chaucer” and “Dante.” In ebony frames. 
Height, 17% inches; width, 6% inches. 
TWO MORE. 


Subjects, ‘Harvest Girl” and ‘“‘Milkmaid.” In 
ebony frames. Height, 1914 inches; width, 8 inches. 


CUT-GLASS FLOWER AND FRUIT HOLDER. 


On a cut-glass base with button feet, bronze Amorini 
uphold a large fluted and cut-glass dish, from the 
center of which rises a flower stand of cut glass. 
Ornamented with silver and bronze, finely chased. 
French workmanship. Height, 20% inches. 


ANTIQUE MAJOLICA LAMP. 


Spanish oil jar adapted as a lamp with cream silk 
shade and fringe. 


ITALIAN RENAISSANCE LANTERN. 


Pear-shaped, surmounted by a crown with beveled 
glass panels with three lights. Wired for electricity. 
The bronze work is handsomly chased. French 
workmanship. 


ANTIQUE WOOD STATUETTE, CARVED AND 
PAINTED. 


_ Subject, “A French Queen.” Height, 16 inches. 


LOUIS XVI. ENAMELED NIGHT STAND. 


With carved legs, cane undershelf, single drawer with 
brass knobs. French workmanship. Width, 15 inches. 


47 


ive 


\Y ee at 


258 


coo 


260 


261 


262 


263 


264 


PAIR OF BRONZE FIREDOGS. 


Showing lions rampant, upholding brass cartouches 
resting on scroll bases; solid bronze, finely chased. 
French workmanship. Height, 20 inches. 


LIBRARY ARM CHAIR. 


Of oak; the back carved with scrolls, the arms ter- 
minating in carved volutes, resting on carved supports, 
the legs carved and with paw feet; the back and seat 
covered with green damask. 


ENGLISH WINGED ARM CHAIR. 


Upholstered all over with figured linen taffeta in a 
pattern of baskets and garlands of flowers; tufted 
back. 


ENGLISH ARM CHAIR. 


Of mahogany with cane back and leather seat. 


LOW ARM CHAIR. | 
Back, arms and legs covered throughout with crimson 
velvet, with double rows of brass-headed tacks and 
trimmed with silk tassel fringe. 


MAHOGANY BOOKCASE. 
With carved uprights, terminating in female figures; 
three glass doors, each with single plate; carved paw 
feet; fourshelves. Height, 63 inches; width, 69 inches. 


LIBRARY SOFA OF OAK. 
Having back and arms uncarved, the arms supported 
by detached fluted columns and carved capitals; the 
legs with volute feet; seat and back covered with 
green cut velvet in a leaf pattern. Length, 80 inches. 

Made by Cottier & Co. 
48 


THIRD SESSION 


Friday Afternoon, February 28, 1913, at 2:30 o'clock 


265 


266 


267 


268 


269 


Lacquer 


THREE SMALL BLACK LACQUER BOWLS. 


Various sizes. 


GOLD LACQUER CRYSTAL BALL HOLDER. 
Loaded base. 


NETSUKE OF GOLD LACQUER. 


Shaped as a nut, with stem, flower and ripened fruit. 


FOUR GOLD AND RED LACQUER SAKE CUPS. 


With landscape and floral decorations in gold of 
different colors. 


LIU-KIU BLACK LACQUER DESPATCH BOX. 
Inlaid with stones, shells and pearls; highly polished. 
With crest in pearl. 914 x 3 inches. 


SILVER-MOUNTED LACQUER CABINET. 
Of red lacquer, decorated with lacquer of other 
colors; top and sides ornamented with panels of 
deep blue, showing birds, flowers and leaves carved 
from ivory and pearl. 
Height, 734 inches; length, 6 inches; width, 414 inches. 
49 


271 


272 


273 


274 


275 


276 


277 


278 


OCTAGONAL LACQUER BOX AND COVER. 


Of different shades of brown lacquer; deeply carved 
in patterns of geometrical design. (Cover damaged.) 
Height, 5 inches; diameter, 9 inches. 


SMALL GOLD LACQUER BOX. 


With decorations of various sea fishes in different 
colors. 414 x 3 inches. 


LARGE GOLD LACQUER DESPATCH BOX. 


With fine gold decorations, including crest. 
Height, 6 inches; width, 13 inches; length, 16 inches. 


BLACK AND GOLD LACQUER SECRET CABINET. 


Contains five drawers; shows decorations of both 
the public and private Imperial Crest. 
Height, 9% inches; length, 12 inches; width, 10 inches. 


RARE GOLD LACQUER JEWEL BOX. 


Inlaid with ivory panels, decorated with figures and 
landscapes, in gold and silver. 
Height, 5 inches; length, 7 inches; width, 3% inches. 


OBLONG STAND OF BROWN LACQUER. 


With perforated bed, curved legs and bronze mount- 
ings. 
Length, 18 inches; width, 8% inches; height, 5% inches. 


RED LACQUER STAND. 


Standing on four feet; decorated in gold in leaf and 
vine pattern on red ground. 
Height, 3 inches; top, 12 x 12 inches. 


BLACK AND GOLD LACQUER FRUIT STAND. 
Circular. Height, 10 inches. 
50 


280 
Ye 
Be 281 
at 
(292 
yt 

283 

Ke 

284 

285 


SMALL GOLD LACQUER BOX. 


With decorations of stork, evergreen pines and land- 
scape background. 4% 3\% inches. 


ROUND COVERED BOX. 


Of deep-red lacquer in octagonal panels, deeply 
carved with figures and other designs. 
Height, 7% inches; diameter, 1034 inches. 


INK AND PENCIL CASE. 


In dark, reddish-brown lacquer, deeply carved in 
designs of grape clusters and leaves. Length, 8 inches. 


GOLD LACQUER SMOKER’S AND LUNCH 
CABINET. 


Sixteen pieces; with silver mountings. 


LACQUER SAKE BOTTLE AND LACQUER STAND. 


With stopper of dark-brown lacquer; lined with 
gold; surface deeply carved. With old square red 
lacquer stand ornamented in metal. (2 Pieces.) 

Height on stand, I1 inches. 


COMPLETE LACQUER TOILET AND LUNCH SET. 


Twenty pieces of old Roiro, black and gold lacquer, 
with crest of the Princess Osumi. 


RED LACQUER TABOURET. 


Stand with curved legs, solid base, decorated with 
landscapes, flowers and figures. 
Height, 18 inches; top, 12 x 12 inches. 


LARGE GOLD LACQUER DEEP TRAY. 


With floral decorations. 
23 « 21 x 4 inches deep. 


51 


bi- 


287 LARGE LACQUER TRAY. 


With scroll edge; decoration of landscape with wild 
horses drinking at a cascade. Mounted as an 
afternoon tea-table. Diameter, 29 inches. 


Small Bronzes, Arms, Pottery, Old Sevres Dinner 
Set, and Other Objects of Art 


288 POTTERY KORO AND TEAKWOOD STAND. 


Rectangular in shape; unglazed; carved to represent 
bamboo forms. (Repaired.) 
Height, 14 inches; diameter, 7 inches. 


289 BRONZE KORO—“SNOW FROM HEAVEN.” 


Height, 6 inches; diameter, 6 inches. 


290 BRONZE KORO AND BRONZE STAND—“RAIN 
FROM HEAVEN.” 


Height, 9 inches; diameter, 7 inches. 


291 SMALL JAPANESE BRONZE. 
Monkey holding fruit. 
SMALL JAPANESE BRONZE COCK. 


292 SMALL JAPANESE BRONZE SACRED OX. 
SMALL BRONZE OF A WILD BOAR IN FLIGHT. 


293 SMALL AZTEC IDOL OF STONE. 
Height, 2 inches. 
294 TEA JAR AND TEAKWOOD STAND. 


Covered with dark-green glaze. Ivory cover. 
Height, 354 inches. 
52 


295 


296 


291 


299 


CUP CARVED IN REPRESENTATION OF BASKET 
WORK. 


With wooden holder. 
Height, 2 inches; diameter, 254 inches. 


ENAMEL CUP AND TEAKWOOD STAND. 


With cream-like (heavy) enamel. 
Height, 4 inches; diameter, 4% inches. 


PAIR OF COVERED JARS AND TEAKWOOD 
STAND. 


Of steatite conglomerate of gray, brown and red 
tone; minutely carved in design of grapevines, 
leaves and clusters. Height, 131% inches. 


SNUFF BOTTLE OF PEKIN ENAMEL. 


Of brown agate, with carved heads of Dog-Foo on 
the sides; with emerald-green and white top. 
(Repaired.) Kien Lung period. 


USHABTI. 
An original Ushabti, from a tomb of the Nineteenth 
Dynasty (about 1400 B. C.), in limestone. 
Height, 4% inches. 


The word Ushabti—which may be translated “The Answerer” 
—is the name given to a small figure found in tombs, and supposed 
to fulfil the duties incumbent on the deceased in the future world 
which he was either unable or unwilling to do himself. 

When called to life in the Fields of the Blessed, by Osiris, the 
deceased found that he had to perform the labors of cultivating 
the land, tilling, etc.; and as the rich had in life never performed 
manual labor and disliked the idea of doing so in the next world, 
the priests thought out the scheme of making these little figures, 
who at the manufacture, having magical formula said over them, 
were thenceforth endowed with life, to answer the duties of those 
who could afford to purchase them. The same idea was carried out 
in other occupations—little models of boats were buried with the 
corpse to enable him to embark on water, figures of domestics to do 
the domestic duties; and whenever the name of the departed was 
called by Osiris, if the duties were not pleasant, the “Ushabti” 
answered for him. In the earlier dynasties only the rich could 
afford them, but later they became a regular article of merchandise, 
selling at varying prices, according to their make. 


53 


300 


301 


302 


303 


304 


305 


306 


307 


308 


309 


USHABTI FIGURE OF AN OVERSEER. 
Carved stone. Height, 5 inches. 


SMALL EGYPTIAN BRONZE OF A KING. 


With double crown of the upper and lower regions. 
Length, 3 inches. 


SMALL ROMAN BRONZE OF A WATER-CARRIER. 
On square base. Length, 5 inches. 


SMALL ROMAN BRONZE OF A FAUN. 
Height, 3 inches. 


SMALL ROMAN BRONZE OF HERCULES. 
SMALL ROMAN BRONZE OF BACCHUS. 
As a standard. (2 Pieces.) Height, 3% inches. 


TEA SET OF THREE PIECES. 
Teapot, sugar bowl and creamer; repoussé in a 
floral pattern, silver-plated. 


COLONIAL BRONZE KNOCKER. 
Length, 7 inches. 


OLD BRONZE CIRCULAR MIRROR. 


Band of roses in relief. Diameter, 34% inches. 


BRASS LAMP, GREEK MODEL. 
Burning oil, with attachments.  Hezght, 13 inches. 


SMALL PERSIAN DAGGER. 
With bronze handle and sheath. Incised decoration. 


54 


310 


311 


312 


313 


314 


315 


316 


317 


RAPIER. 


The hilt elaborately carved and worked with gold; 
steel of finest quality; blade slender. Point touches 
hilt and springs to place. Length, 37 inches. 


LONG TWO-EDGED SWORD. 
The blade tapering; hilt and guard inlaid with gold. 
Crest on the guard. Length, 48 inches. 


ITALIAN SWORD. 


With heavy blade, straight and tapering. 
Length, 40 inches. 


METAL SHIELD. 
Of iron, inlaid with gold and silver; the boss sur-— 
rounded by panels, in which events in Roman history 
are modeled in relief. 


JEWEL BOX. 


With hinged cover. Silver-plated. 
Length, 6% inches; height, 4% inches. 


ELEPHANT OF CARVED EBONY. 


With ivory tusks and eyes, bearing on his back an 
Indian potentate, behind whom is seated a servant 
holding a sunshade. Height, 23 inches. 


STUDIO LAMP. 
The bowl held by the “Flying Mercury,” after 
Giovanni da Bologna. German silver. 
Height, 22 inches. 
THE THREE GRACES. 


Opalescent glass of beautiful workmanship. 
55 


Es 


Lu- 


318 


319 


320 


321 


322 


323 


324 


325 


326 


FLOUNCE. 
Of old black thread lace. 
Length, 4 yards; width, 20 inches. 
MANTILLA. 
Of black Spanish lace. 


HANLIN ROBE OF A MANDARIN OF HIGHEST 
RANK. 


Made of deep plum-colored satin, covered with 
embroidery of hawthorn branches and flowers worked 
in the form of medallions. Carved gilt buttons. 


CHINESE EMBROIDERY IN SILK AND GOLD. 


Worn by the Buddhist Priests over the robe on the 
chest. 


CHINESE EMBROIDERY IN SILK AND GOLD. 
Of different color and design. 


THREE KAKEMONO, TOSA SCHOOL. 
The Emperor and his Court of Wise Men. 


ANTIQUE KORO IN FORM OF A FROG. 


With silver wire cover. On a stand. Yung Ching 
period. Height, 9% inches; length, 1034 inches. 


JAPANESE WINE POT, OLD BANKO WARE AND 
TEAKWOOD STAND. 


Green running glaze. The body carved in hawthorn 
blossoms and branches and coated with red lacquer. 
Height, 11 inches. 


ANTIQUE FIGURE OF DOG-FOO. 


Old Cochin China ware. Decorated in dull green, 
blue, yellow and brown. Height, 7% inches. 


56 


327 
yr 


328 


oa 329 


330 


PERSIAN WINE DECANTER. 
With animal and leaf decoration. 


This and the two following pieces were in the Persian Exhibition, 
brought out by Mr. Graves when Art Commissioner of the Expo- 
sition held in Boston in 1883-4. 


PERSIAN CANDLESTICK CUT FROM STONE. 


The base shaped as a hand holding the saucer of 
the candlestick; all-over decoration of floral pattern. 


PERSIAN POTTERY JAR AND STAND. 


With central decorations of figures and landscapes 
in dull blues, greens and browns on a creamy ground, 
and floral borders at top and bottom. (Repaired.) 

Height, 14 inches. 


JEWEL CABINET. 


Made of pear-wood covered with leather, tooled and 
gilt; within, the ornamentation is of silver gilt, both 
carved and repoussé in classical designs. On one 
door is the Coat-of-Arms of the Ruspoli family, on 
the other that of the city of Florence. Purchased 
directly from the Ruspoli family. (Partly restored.) 
Length, 24 inches; width, 10 inches; height, 2114 inches. 


ANATOLIAN RUG. 


In low tone of dull blue and brown. 
Size, 4-11 x 3-6 feet. 


THIRTY PHOTOGRAVURE PRINTS, AFTER F. O. 
C. DARLEY. 
Subjects drawn from Shakespeare’s plays; neatly 
matted and enclosed in an oak box with metal 
comers, handles and plate. 
Length, 24 inches; width, 20 inches. 


57 


w- 


333 RELIEF CARVING. 


Landscape with villas, tea houses and trees along 
the banks of a river; carved in high relief from slate. 
In an ebony and plush box frame. 

Height, 23 inches; width, 18 inches. 


Dinner Service of Old Sévres 


No two pieces have the same decorations. The public build- 
ings of Paris at the period appear, also the historical buildings 
and chateaux of France; 144 separate pieces to be sold in the ~ 


. following lots: 


334 TUREEN WITH ORIGINAL COVER. 


Two platters (not uniform in size); two large round 
plates; two dozen soup plates. (30 Pieces.) 


335 COVERED DISH. 


Two platters (not uniform in size); three large round 
plates; two dozen plates. (31 Pieces.) 


336 LARGE AND SMALL ROUND CHOP DISH. 


Two large round dishes; two dozen plates; ten 
odd plates. The large chop dish has pierced chop- 
holder. (39 Pieces.) 


337 LARGE AND SMALL ROUND CHOP DISH. 


Two platters (not uniform in size); three large round 
dishes; three dozen plates. The large chop dish 
has pierced chop-holder. (44 Pieces.) 


338 EIGHT OLD SEVRES PLATES. 


Of soft paste with decorations from Aésop’s Fables, ~ 
and classical themes. With Sévres mark. 


58 


wy ee ae 


Me e: 


Sena re 
Ra bale 


Er EN eh TE ory 
Oe bay ee 
SE Vora Preteen 


Fl 


341 


342 


343 


344 


SIX OLD SEVRES PLATES. 
Similar to the preceding. With Sévres mark. 


STAFFORDSHIRE BEER JUG WITH PEWTER 
COVER. | 
White salt glaze. Decorated with figures in relief. 
Height, 8 inches. 
STAFFORDSHIRE PITCHER. 
White salt glaze. Decorated with flowers in relief. 
Height, 8 inches. 
YORKSHIRE BLACK JACK. 
Bottle-shaped with single handle and deep black 
glaze. Height, 13 inches. 


IRIDESCENT BLUE MUG OF DOULTON CHINA. 
GNOME HOLDING BALL IN AUSTRIAN WARE. 
Height, 10 inches. 
ENAMEL POTTERY PLAQUE, ATTRIBUTED TO 
FRANCOIS BRIOT. 


Decorated with heads in medallions in vari-colored 
enamels. (Chipped.) 
Length, 14 inches; width, 12 inches. 


Antique Indian Jewelry 


Scarabs, Jewelry with French and Italian Settings 


Every piece of Jewelry in this Collection has been submitted to the highest 
expert knowledge and is correctly described in these pages. The genuineness of 
all Precious Stones and Metals is guaranteed by the owner and by the Company. 


345 OLD ENGLISH FOB SEAL. 


Red sardonyx in gold-plated mount. 


346 SCARF PIN. : 


Containing a delicate lavender-tinted ruby spinel. 
59 : 


fe 


347 


348 


349 


350 


351 


352 


353 


354 


355 


356 


PIN AND WATCH HOLDER. 
The head of a bird in enamel showing the iridescent 
colors about the head and neck. 


ITALIAN SCARF PIN. 
In the form of a leaf in green enamel mounted in 
gold. 


CAMEO SCARF PIN. 
With head of Athene in relief on agate. 


TWO SCARF PINS. 
One set with finely painted miniature of Lycurgus; 
the other, head of a woman in relief. 


ANCIENT PERSIAN RING. 
With intaglio head cut on red sardonyx. 


EAST INDIAN RING. 
Holding a lilac-tinted sapphire mounted in gold. 


LOUIS XVI. SILVER LOCKET. 
With enamel portrait, the whole surrounded with 
leaves and flowers, set with the old French paste. 


ANTIQUE GREEK RING. 
In gold with an intaglio cut on red sardonyx showing 


the Goddess of Plenty. 


MINIATURE SCISSORS AS WATCH CHARM. 
MINIATURE SPYGLASS. 


GOLD FRIENDSHIP RING. | 
60 


359 


361 


362 


363 


366 


GOLD RING WITH INTAGLIO SETTING. 


Head of a Greek warrior. 


GOLD RING WITH FLORAL ENAMEL SETTING. 


INTAGLIO RING. 
Set with figure of Archimedes. 


TWO INTAGLIO RINGS. 
Set with Phoebus and Justice. 


TWO ANTIQUE RINGS. 
Coiled snake, the other with setting bearing a resem- 
blance to a Rosicrucian symbol; both brass. 


OLD EAST INDIAN NECKLACE. 
Double strands of curiously marked agate beads; in 
the original mounting. 


RUSSIAN PIN AND PENDANT. 
Containing a gem amethyst of finest quality in a fine 
gold setting of grapes, vines and leaves. 


HORSESHOE PIN. 
Gold set with turquoise and Oriental pearl and small 
golden sapphires. 


OLD ITALIAN PIN. 
With bouquet of flowers and leaves and a wreath 
on black enamel ground, the whole surrounded by 
rubies of fine color and grass-green emeralds. 


OLD ITALIAN ENAMELED PIN. 
The head of Catharine de Medici in relief, set in 
gold, with lemon-yellow sapphires and rubies. 


61 


Ww- 


>. | 
¥ ‘YF one? 


367 


368 


369 


370 


371 


372 


373 


374 


375 


ENGLISH PIN AND PENDANT WITH NECK 
CHAIN. 


Set with four pink tourmalines and six brilliant beryls. 


FRENCH FOB. 
In gold, holding a large amethyst. 


FRENCH FOB. 
Cut from agate; set in gold, elaborately mounted with 
rubies and diamonds. 


OLD ITALIAN ENAMELED RING. 


The design shows Aphrodite in relief, standing in a 
sea-shell. 


PAIR OF ITALIAN EAR-RINGS. 


Gold with dull enamel and pearl pendants. Of the 
time of the Medici. 


PAIR OF ITALIAN EAR-RINGS. 


Similar in design but smaller. Of the same -period. 


ENAMEL. 
Head of Rubens; set in gold, as a pin, with rubies and 
lemon-yellow sapphires. 


ENAMEL. 


Head of a woman on a blue ground; set in gold, asa __ 
pin, with diamonds and sapphires. 


ANTIQUE EAST INDIAN NECKLACE. 
Formed of fourteen rubies, pierced for mounting in 
alternation with seventeen baroque pearls, in gold. 
The whole supports a large ruby inscribed on both 
sides with the talisman of Good Luck. 


62 


2 6 ANTIQUE ETRUSCAN SCARAB. 


a ig In red sardonyx; mounted as a ring. 


a e377 TWO EGYPTIAN SCARABS. 


In basalt and black basalt; both carved on reverse. 


378: EGYPTIAN SCARAB. 
2 i Mounted in gold as a scarfpin; with the scarab 
carved on the reverse. 


379. THREE LARGE SCARABS. | 
Carved in basalt and porphyry; one with carved 
inscription. 


-—«-380.:« FOUR SMALL SCARABS. 

_ With intaglios cut on the reverse, showing a Roman 
soldier, palm tree, and other devices. — 

x 


381 TWO SMALL SCARABS. 


Carved in porphyry and stone; carvings on reverse. 


382 THREE SMALL SCARABS. 


In green basalt; one with Egyptian carving on the 
reverse. 


383 ANTIQUE ETRUSCAN SCARAB. 
Of light chalcedony; mounted as a ring. 


384 ANTIQUE ASSYRIAN SEAL. 


Mounted as a ring. Archaic design of flower, leaf 
and branches. 


385 ANTIQUE ROMAN SEAL. 


The Goddess of Plenty cut in intaglio on red jasper; 
in medizval gold mounting. 


63 


ey, Noy I Ete domed ares eT oe dio ls eis wn ee 
Pia eae, pee ae Pm tee ew heed PD er 
er ay ely ie AC Fit OS . ihe 


Be LAS) al fh 


386 


387 


388 


389 


390 


391 


392 


393 


MEDIAEVAL SEAL. 


Elaborately carved design of knights in armor fight- 
ing; set in gold and silver, carrying a fine antique 
intaglio of the head of Mars. 


ANTIQUE ETRUSCAN SCARAB. 


In red sardonyx; mounted as a ring. 


ANTIQUE EGYPTIAN SCARAB. 


Of steatite mounted in gold as a seal ring. Design 
shows a double asp, with inscription. 


FIVE EGYPTIAN SCARABS. 


Mounted on a card with inscription, ‘‘Scarabi found 
in tomb at Memphis, Egypt. Purchased from Aboo 
Schnaff Sheikh of the Pyramids.” 


THREE EGYPTIAN SCARABS. 


One in onyx; carved on reverse, Sphynx, Oriental 
head and native hunter. 


THREE SCARABS. 


Carved in limestone; and a flat basalt scarab. All 
carved on the reverse. 


OLD ITALIAN SEAL. 
Containing an antique intaglio of Hermes. Sixteenth 
Century workmanship. 


EAR-RINGS OF FILIGREE GOLD. 


Of pure gold in design of the baskets used by native 
carriers. 


64 


394 


a2) 


396 


397 


398 


599 


401 


402 


RED CARNELIAN SEAL. 


With finely cut intaglio of the heads of Socrates and 
Pericles. 


SCARF PIN. 


Of jockey club design, a star sapphire forming the 
cap, the gold vizor holding three rubies. 


RARE EAST INDIAN RING. 


With a large sage-green Jargoon in the center, sur- 
rounded by a cluster of fine rubies; the setting 
minutely carved. 


RING. 


Opalescent Ceylon sapphire, set with fifteen Oriental 
pearls of yellow tint corresponding to the sapphire. 


LARGE TURQUOISE RING. 


Set with a cluster of small golden sapphires. 


AMETHYST RING. 


Of delicate colors. 


LARGE AMETHYST CRYSTAL. 
Carved in the form of fungus. On a stand. 
Height, 5 inches; length, 5 inches. 
GOLD RING. 


Set with spinel ruby of rare color, surrounded by a 
cluster of opal balls. 


EAST INDIAN RING. 


Finely carved; set with a gem cat’s-eye, with a ruby 
and star sapphire on either side. 


65 


403 


404 


405 


406 


407 


408 


409 


410 


OLD EAST INDIAN RING. , 
Containing a green garnet surrounded with fine 
rubies; the setting finely carved. 


OLD FRENCH PIN. 


In the form of a branch with leaves cut in silver and 
set with pink ruby, diamonds and Persian turquoise. 


RING. 


Containing a sapphire of fine color cut en Cabochon. 


OLD EAST INDIAN GOLD NECKLACE. 


Dating back to the period of Serpent Worship; the 
head of the serpent, set with rubies, holds in his 
mouth as pendant a large white crystal. 


RAJAH’S RING. 


Containing a Cabochon ruby set in fine gold sur- 
rounded with a pavement of diamonds. 


EAST INDIAN PIN. 
Center contains a brilliant East Indian aqua marine 
surrounded by a cluster of golden beryls, and this 
in turn surrounded by a circle of rubelites. Original 
East Indian setting. 


GOLD PENDANT. 


Elaborately carved front and back; mounted with 
an antique relievo head of a Roman vestal cut from 
light brown sardonyx. Fine workmanship. 


PIN AND PENDANT. 


Gold and platinum; in crown form, containing perfect 
Old Mine diamond, ruby and sapphire cut in pear 
shape surrounded by Old Mine diamonds. 


66 


411 


ANCIENT GREEK GILT BORCHIA. 
Covered with engraved figures of historical character. 
The ornament of a king, an example of the style of 
ancient Greek work. Said to have been exhumed at 
Mitylene. Length, 4 inches; width, 3% inches. 


Artistic Furniture of French and English 


Workmanship, Screens, and a Rinaldini 
Silver Mirror 


DUTCH MIRROR. | 
In ebony frame. Height, 28 inches; width, 20 inches. 


RENAISSANCE HALL CHAIR. 
Seat and back covered with embossed leather, 
finished with large brass-headed nails and_ brass 
finials. French workmanship. : 


RENAISSANCE ARM CHAIR. 
The seat and beveled panel back covered with 
embossed leather having large brass-headed nails 
and brass finials; carved front brace. 


RENAISSANCE HALL CHAIR. 

The back carved with scroll and strap work crested 
with a grotesque head; the arms terminating in 
grotesque heads supported by elaborately carved 
scroll panels. The front brace carved with a cherub’s 
head; seat and back covered with embroidered 
crimson silk velvet, finished with gold gimp. 
French workmanship. 


TWO CURTAINS OF TAPESTRY. 
One brown, the other brown and white. 


Length, 8 feet and 7% feet. 
67 


oe 
Ere 
% , 


417 


418 


419 


420 


421 


422 


423 


ANOTHER OF ORANGE SILK ARMURE. 


Trimmed with tinsel gimp. 


Length, 8% feet; width, 5% feet. 
LOUIS XVI. SIDE CHAIR. | 


The back carved in a ribbon design; seat and back 
of cane, gilded. 


LOUIS XVI. SIDE CHAIR. 


Of similar pattern to match. 


LADY’S LOUIS XVI. DESK. 


The gallery carved with garlands of flowers; finished 
in gray enamel. French workmanship. 


MIRROR WITH SILVER FRAME BY RINALDINI. 


Oval plate-glass mirror set in a silver frame of 
wrought work by Rinaldini, typifying “The First 
Kiss,” with Cupid, Psyche and flowers; the mirror 
mounted on an octagonal Italian walnut (unpolished) 
panel. The work of a modern Italian artist in silver, 
Paolo Rinaldini of Florence, with his seal. 


Size of mirror, 144% x 11% inches. 
From the sale of Miss Emilie Grigsby. 


THREE-FOLD DRAWING ROOM SCREEN. 


Covered front and back with red velvet, having top 
panels of antique Italian brocade. 


SIDE CHAIR. 
Of oak; the back divided by an upright bar, fluted 
and carved with oval scroll and leaf panels and 
shells; the legs straight and carved on carved feet; 
back and seat covered with green damask. 


68 


427 


428 


akg 


FLORENTINE HALL CHAIR. 


Of antique oak, carved with lion heads and foliage, 
and having paw feet; the seat covered with tapestry. 


LOUIS XVI. ENAMELED BENCH. 


Fluted legs, carved, joined by a double brace; with 
- cane seat. French workmanship. 


LOUIS XVI. BERGERE. 


The frame carved in a rope pattern, finished in ivory 
enamel; seat, back and arms with cane panels. 


MAHOGANY SCREEN. 


The frame turned and carved, resting on wide feet; 
the panel of tapestry of foliage pattern. 
Height, 58 inches; width, 41 inches. 


DRAWING ROOM MIRROR. 


The frame elaborately carved from an original 
Renaissance model. This was especially made for 


the late Stanford White. 


LOUIS XV. MIRROR. 


The frame elaborately carved with scrolls and shells, 
surmounted by Amorini holding flowers; the crest 
showing a dragon, framed by scroll-work. French 
workmanship. Height, 63 inches; width, 40 inches. 


DRAWING ROOM CABINET OF MAHOGANY. 


On a base containing three doors rests a cabinet top 
with sloping base, top and base each having three 
glass doors; the whole decorated with classical 
figures and garlands on a gold ground with inlaid 
borders. 

Height, 6 feet, 6 inches; length, 5 feet, 6 inches. 

Made by Cottier & Co. 
69 


a tone 


FOURTH SESSION 


Friday Evening, February 28, 1913, at 8:15 o'clock 


431 


432 


433 


434 


435 


436 


Paintings, Mainly of Modern Schools, 
and Carbon Prints , 


AUTOTYPE REPRODUCTIONS 


DA VINCI, RAPHAEL, RUYSDAEL, OOSTERHOUT, 
GERINO, HOLBEIN AND REMBRANDT. 


Nine autotypes of original drawings, mounted in one 
frame, with gold mat. Large folio. 


ROUSSEAU AND COROT. 


Two landscapes by Rousseau and one by Corot. 
Mounted in one frame. Oblong 4to. 


THE SEASONS. By Burne-Jones. 


Autotype facsimiles of the set of four paintings. 
Mounted in one frame. Oblong 4to. 


THE ANGELUS. By Muer. 
Autotype. Framed. Folio. 


THE HAMPTON COURT RAPHAEL CARTOONS. 


Set of the seven cartoons engraved by Nicolas 
Dorigny. Folio. (7). 


THREE HEADS FROM THE “ANATOMY LESSON.” 


By REMBRANDT. 
Fine autotype. Framed. 
70 


ae ine peaaivel ea con of ihe original painting. 
Large folio. Dark oak frame with sunk mount. 


poe BULoty pe. Folio. Framed. 


- Autorype._ Large folio. Framed. 


‘VALASQUEZ” THE BURGOMASTER. — 
|  Autotype. Framed. Folio. ee 


i a MURILLO’S THE IMMACULATE CONCEPTION. 


Carbon print. Oak and gilt frame. 
| Height, 57 inches; width, 36 inches. 


Carbon print. Framed in oak and gilt. 
Height, 57 inches; width, 36 inches. 


Be Paintings 
443 SIEBEL. S. L. GIROUX 
ees Panel. Signed and dated 1878. 
‘ , Height, 10 inches; width, 6 inches. 


UNKNOWN PAINTER 
Flemish of Seventeenth Century 


444 LANDSCAPE. 


Canvas. Signed with monogram at the right. 
Height, 944 inches; width, 12 inches. 


71 


445 


446 


447 


448 


449 


450 


DAVID TENIERS, THE ELDER (Attributed) 
Flemish, 1582-1649 


THE MASTER MASON. 
Panel. Signed with monogram at the right. 


Height, 5 inches; width, 4 inches. 


HORACE VERNET 
French, 1789-1863 


STUDY OF A HORSE IN ITS STABLE. 


Date “‘le 1% Avril 1826” scratched into the wet paint. 


Studio board on panel. 


Height, 11% inches; width, 15 inches. 


ADRIAN BROUWER (Attributed) 
Dutch, 1605-1638 


THE VILLAGE SURGEON. 


Panel. Height, 7 inches; width, 8 inches. 


NICHOLAAS MAES (Attributed) 
Dutch, 1632-1693 


THE FLAX SPINNER. 
Canvas. Height, 13 inches; width, 10% inches. 


PIERRE MIGNARD (Attributed) 
French, 1610-1695 
PORTRAIT OF COLBERT, MINISTER OF LOUIS 
XIV. 


Canvas. Height, 11 inches; width, 9 inches. 


M. MARIANA 


HEAD OF A MOOR. 
Pastel. Height, 18 inches; width, 13% inches. 


72 


caters. 


Eto TENIERS, THE ELDER (Attributed) 


451 A COUNTRY INN. 


Flemish, 1582-1649 


Panel. Signed in monogram on the covered wagon. 
Height, 834 inches; width, 1234 inches. 


F. BERGAMINI 
Contemporary Italian 


. 452 A ROMAN INTERIOR. 


Canvas. Signed. Height, 18 inches; width, 26 inches. 


V. DAUBIGNY 
_._ Contemporary French 


He LANDSCAPE. 


Panel. Signed. Height, 834 inches; width, 11}4 inches. 


R. T. PRITCHETT 
_ Contemporary English 


454 THE GRASS MARKET AT CAIRO. 


Water color. Signed. 
Height, 15 inches; width, 1944 inches. 


JUSTUS SUTTERMANS (Attributed) 
Flemish, 1597-1681 


455 PORTRAIT OF A YOUNG WOMAN. 


Panel. Dated 1634. Height, 14 inches; width, 10 inches. 


THOMAS HOVENDEN 
American Painter, 1840-1895 


456 THE NEGLECTED PATH. 


Canvas. Signed. Height, 16 inches; width, 22 inches. 


Bought from the artist. 


A. RISHALLE 
Contemporary French 


457 AN ALGERIAN BEAUTY. 


Canvas. Signed. Height, 29 inches; width, 15 inches. 
(ef 


SSM yO UN ea a 


458 LANDSCAPE. 
: Canvas. Seat oh ys 1 2 2 inches 
Bought from the artist. - 


ae PAINTER | 
STILL LIFE. we 
Canvas. _ Height, 19 inches; 


J. CALIFANO 
Contemporary American — 


460 LANDSCAPE. 


Canvas. Signed. ie 
Height, 21% inches; idl R ; 


Shown at the National Academy Exhibition, 1905. eS 


JAMES B. SWORD 
Contemporary cen 1839- 
AUTUMN. 


Canvas. Signed. Dated °75. Sie 
Height, 18 inches; wales 29 inch 


UNKNOWN PAINTER 
French School 


MOTHER AND CHILD. | tae 
Canvas. Height, 11 She ‘width, 8 %% inches. 


CHARLES A. WALKER 
Contemporary American 


LANDSCAPE AND SHEEP. eae ; 
Canvas. Signed. Height, 1614 inches; width, 29 inches. 

Bought from the artist. ee 

74 


HOWARD COPE 
SecA ‘Contemporary American 


‘OFF F MONTAUK POINT. 
Canvas. Signed. Height, 14 inches; width, 24% Seni | 


- Bought from the artist. 


ALESSANDRA R. HART 
Contemporary Italian 


Canvas. Signed on ike back. 
<atgit Height, 21 inches; width, 14 inches. 


~ Purchased. from the estate of Mrs. S. D. a atsen Boston. 
E a ss GEORGE BUNN 


a 


Be Contemporary American 


66 FISHING SMACKS. 


Eas Signed. 
ae H erght, 24 inches; width, 20 inches. 


Bought from the artist. 


- 


MAX WEYL 
Contemporary American 


Canvas. Signed. Height 15 inches; width, 21 inches. 


E. VITALI 
Contemporary Italian 


468 INTERIOR OF AN ENGLISH HOME. 


a 


——— 


Water color. Signed. 
Height, 19 inches; width, 28 inches. 


JAMES HAMILTON 
Contemporary American 


469 A NOCTURNE. 
Canvas. Signed. Height, 20 inches; width, 27 inches. 


75 


Pha ag 


Cond? 
on 


eal 


470 


471 


472 


473 


474 


ARY SCHEFFER 


1797-1858 
PORTRAIT OF THE MARQUIS DE LAFAYETTE. 
Canvas. Height, 22 inches; width, 15 inches. 


Study for the life-size portrait, which was presented to the 
American Nation by Lafayette, which is now in the Capitol at 
Washington. 


GASPARD DUGHET, CALLED POUSSIN (Attributed) 
French, 1613-1675 
LANDSCAPE. 


Canvas relined. Oval. 


Height, 21% inches; width, 18% inches. 


PHILIP WOUVERMANS (After) 
Dutch, 1619-1668 | 
RETURN OF THE HAWKING PARTY. 


Canvas. Relined. 
Height, 14% inches; width, 17% inches. 


SAMUEL COLMAN 
American, 1833- 
LANDSCAPE IN THE ADIRONDACKS. 
Canvas. Signed, and dated 1867. 
Height, 16 inches; width, 14 inches. 


Formerly in the collection of Dr. Loomis. 


DANIEL HUNTINGTON 
American, 1816-1906 
A MOUNTAIN BROOK. 


Canvas. Signed with initials. 
Height, 18 inches; width, 14 inches. 


Formerly in the collection of Dr. Loomis. 


76 


x. ~ Canvas. Height, 18% inches; width, 141% inches. 


Formerly in the collection of Dr. Loomis. | 


is CRAWFORD THOM 
American 


"Canvas. Signed, and dated 73 
Height, 14 inches; width, 26 inches. 


es GEORGE H. STORY 
7 _ American, 1835- 
478 HEAD OF A YOUNG WOMAN. 


Circular panel. Signed. Diameter, 9 inches. 


‘WILLIAM H. BEARD 
‘American, 1825-1900 


479 LANDSCAPE WITH GROUP OF DEER. 
Canvas. Signed. Height, 20 inches; width, 16 inches. 


ERNEST BAKER 


480 A RESCUE AT SEA. 
Canvas. Signed, and dated 1873. 
Height, 30 inches; width, 40 inches. 
Formerly in the collection of Dr. Loomis. 


77 


7 


IY 


™~ 
Bao 


481 


482 


483 


484 


485 


486 


~ eeee 


J. POOLE 


GLENCOE, SCOTLAND. 


Canvas. Height, 27 inches; width, 36 inches. 


WILLIAM H. HOWE, N. A. 

Contemporary American, 1844- 
LANDSCAPE AND CATTLE. 

Panel. Signed. Dated 1905. 


friend Thomson.” 
Height, 153% inches; width, 19% inches. 


Inscribed ‘‘To my 


GUIDO RENI (Attributed) = 
1575-1642 
MARY MAGDALENE. 


Canvas. Height, 1614 inches; width, 12 inches. 


W. LIVINGSTON ANDERSON 
Scotch, 1842-1908 
MENDENHAM ABBEY ON THE THAMES. 


Canvas. Signed, and dated 1899. 
Height, 27 inches; width, 48 inches. 


SIR PETER LELY (Attributed) 
1618-1680 
DECORATIVE PORTRAIT OF A LADY. 
Canvas. Oval. Height, 30 inches; width, 24 inches. 


W. CLARKSON STANFIELD 
English, 1793-1867 


RIVER SCENE. 
Signed, and dated 1869. 
Height, 18 inches; width, 26 inches. 
Bought of Arthur Tooth & Sons, London. 
78 


Canvas. 


. ORTRAIT ( OF A WOMAN. 


age 


A a Canvas. aes = Height, 30 inches; width, 25 inches. 


NICOLAAS BASTERT 
, Contemporary Dutch, 1854 


Saale 


THE APPLE ORCHARD. 
Canvas. age Perak: 14 inches; width, 23 inches. 


Ze ~ Bought from the artist. 


i ee 
# : Slagle ne 
i nt al ‘ 


oa) VOIGT (After CHARLES JACQUE) 
bree . Contemporary Painter 


"SHEEP IN THE FOLD. - 


Canvas. ‘Signed. 
Er Height, 20 inches; width, 29 inches. 


ee 


a, JOSEPH WEISS 
Contemporary Dutch 


- ‘THE PATH BY THE RIVER. 


Canvas. Signed. 
Height, 6% inches; width, 10 Y% inches. 


JAN VAN GOYEN 
Dutch, 1596-1656 


491 DUTCH RIVER VIEW. 
oo - Panel. Height, 944 inches; width, 1234 inches. 


HENRY HARPIGNIES 
Contemporary French, 1819- 


pe 492 THE SETTING SUN. 
Panel. Signed. Height, 434 inches; width, 8 inches. 
Bought from the artist’s studio. 
79 


Vee 


L¢g/ 


luo 


Ww” 


(U9 - 


493 


494 


495 


496 


497 


498 


JOSEPH WEISS 
Contemporary Dutch 


THE HOMESTEAD. 
Canvas. Signed. Height, 14 inches; width, 20 inches. 


RICHARD PARKES BONINGTON 
English 1801-1828 


A WONDROUS STORY. 


Canvas. Height, 20 inches; width, 24 inches. 
Bought from Martin Colnaghi, London. 


A. J. GROENEWEGEN 
Contemporary Dutch 


MILKING TIME. 


Canvas. Signed. 
Height, 12% inches; width, 21 inches. 
Bought from Arthur Tooth & Sons, London. 


UNKNOWN PAINTER 
A JEWISH RABBI. 
Panel. Height, 21% inches; width, 12 inches. 


RICHARD WILSON 
English 1713-1782 


WOODED LANDSCAPE. 


An unusually pleasing example of this eminent 
English painter. Canvas. 
Height, 24% inches; width, 36 inches. 


This picture was formerly in the Staats Forbes Collection. 


VAN RYN REMBRANDT (After) 
PORTRAIT OF A MAN. 
Canvas. Height, 42 inches; width, 32 inches. 
80 


M. FROMENTIN 
ee Contemporary French 

: "CHICKENS IN A BARNYARD. 

ae Canvas. Signed. Height, 20 inches; width, 24 inches. 


HENRY W. RANGER 
Contemporary American 


) ~ CANADIAN LANDSCAPE. 
sae Canvas. Signed. Height, 28 inches; width, 36 inches. 


. see, MARC NATTIER 
_ French, 1685-1766 


s00-A ‘THE MARQUISE DE MARIGNY. 
oe Canvas. =—S- Height, 37 inches; width, 31 inches. 


Ah te mee RN Da en eo ae nee el en rr 


; JEAN BENNER 
: | -Contemporary French, 1836- is 


501 DOLCE FAR NIENTE. 
Canvas. Signed. Height, 21 inches; width, 34 inches. 


ANTOINE CHINTREUIL 
French, 1814-1873 


502 HERDING THE GEESE. 
a Canvas. Signed. Height, 36 inches; width, 29 inches. 


4 


te UNKNOWN PAINTER 
_ 503 PORTRAIT OF MRS. HUGH BLAIR. 


Canvas. Height, 30 inches; width, 25 inches. 
Bought of Mr. John Ogilvie, a Scotch collector at Brechen — 
Scotland. 


UNKNOWN PAINTER 
504 ANCIENT RUINS ON THE GULF OF LEPANTO. 
Canvas. Height, 43 inches; width, 49 inches. 
ee 8l A. 


JAN VAN GOYEN (Attributed) =a 
Dutch, 1596-1656 | 
505 A DUTCH VILLAGE AT THE WATERSIDE. 


Panel. Signed with initials, and dated 1644. 
Height, 25 inches; width, 35 inches. 


JEAN LOUIS GERICAULT 
French, 1791-1824 


506 THE DYING WAR HORSE. ae 
4 y- Canvas. Height, 35 inches; width, 46 inches. 


JAMES M. HART 
American, 1828-1901 


507 sAT THE <sPRING, 


: 5 Canvas. Signed, and dated 79. 
} is Height, 40 inches; width, 26 inches. 


ALBERT BIERSTADT 
American 1830-1902 
508 CALIFORNIA OAKS. 


Canvas. Signed. Height, 32 inches; width, 48 inches. 


WILLIAM L. SONNTAG 
American, 1822-1900 


509 THE DELAWARE WATERGAP. 
Canvas. Signed, and dated 1864. 
Height, 38 inches; width, 95 inches. 


Vv : FRANZ SNYDERS (Attributed) 
Flemish, 1579-1637 _ 


510 FOX AND GAME. 


; : Panel. Height, 43 inches; width, 30 inches. 
fb- W. LIVINGSTON ANDERSON 
Scotch, 1842-1908 
511 THE PALACE OF SAN SOUCI AT POTSDAM. 
} Canvas. Signed. Height, 27 inches; width, 48 inches. 
ie | 82 : 


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AMERICAN BANK NOTE COMPANY _ 
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